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Biography

    • 1921
      Born in Kobe.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1932
      Family moves to former Manchukuo. Spends youth in Dalian and Harbin.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1938
      Begins studies at Joshibijutsu Senmon Gakko, today`s Joshibi University of Art and Design, leaves the school before finishing the course.
    • 1939
      Studies at Bijutsu Kogei Gakuin, a school of arts and crafts headed by Toyama Usaburo, Fukuzawa Ichiro, Hasegawa Saburo, and Tanaka Ichimatsu.
    • 1943
      Evacuates to Shinshu until the war ends.
    • 1945
      Returns to Tokyo after the war.
    • 1950
      Active as a member of the Jiyu Bijutsu Kyokai [Jiyu art association] until the early 1970s.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1953
      Begins work as an illustrator of children’s books. Begins producing paintings and lithographs of coal and mineral mines.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1954
      Solo exhibitions at Shiseido Gallery in Tokyo and other galleries.
    • 1961
      Travels to Latin America via the Indian Ocean and the Cape of Good Hope. Visits Brazil, Chile, Mexico, and Cuba.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1967
      Travels to India, the Middle East, and Central Asia.
    • 1970
      Visits Seoul, reuniting with former classmates.
      冨山妙子TOMIYAMA TAEKO 1921年
    • 1971
      Inspired by the poetry of Korean political prisoner, Kim Chi-Ha, begins producing lithographs.
    • 1972
      Exhibits lithographs inspired by the poetry of Kim Chi-Ha.
    • 1973
      Publishes Koe yo kesareta koe yo Chile ni [Silenced Voices: Chile], a collection of Tomiyama’s lithographs and poems by Pablo Neruda and Gabriela Mistral.
    • 1974
      Begins the series of lithographs, Chained Hands in Prayer, based on poems by Kim-Chi-Ha.
    • 1975
      Exhibits On the Poems of Kim Chi-Ha and Pablo Neruda New York, Chicago, and Berkeley.
      Publishes Watashi no girishia shinwa – eros eno kaiki [My Greek mythology—reclaiming eros],
      Doshinsha, Tokyo.
    • 1976
      Contributes lithographs to a television documentary about Kim Chi-Ha that is censored. Staff members produce a series of slides that she takes to America, Canada and Mexico. Publishes Shinya Kim Chi-Ha + Tomiyama Taeko shigashu [At midnight], Doyobijutsusha, Tokyo.
    • 1977
      Hidane Kobo produces the slide work, Chained Hands in Prayer. Tomiyama launches the Asian Women’s Association together with Matsui Yayori and others.
    • 1979
      Publishes Kaiho no bigaku —20 seiki no gaka wa nani o mezashita ka [Aesthetics for liberation—what 20th century artists challenged].
    • 1980
      Produces the series of lithographs, Prayer in Memory: Kwangju, May 1980. An exhibition of the series and the Hidane Kobo slide work of the same title, tours Japan.
      冨山妙子TOMIYAMA TAEKO
    • 1981
      The first screening of the film Free Kwangju, May 1980 (Directed by Maeda Katsuhiro, Gentosha and Hidane Kobo).
    • 1982
      Exhibits Prayer in Memory: Kwangju, May 1980 in Paris, Berlin, Heidelberg, and Munich. Begins the series of lithographs and collages, Hikisakareta monotachi [The Dragged and Divided] which includes works on the forced relocation of Korean laborers and the poet Yun Dong-Ju, who died in the Fukuoka Prison.
    • 1984
      Tsuchimoto Noriaki directs the film Hajike hosenka — Waga Chikuho, waga Chosen [Pop out balsam seeds — my Chikuho, my Korea] on Tomiyama Taeko’s work. The film shows in Paris, Berlin, and later at the Melbourne International Film Festival.
      冨山妙子TOMIYAMA TAEKO
    • 1986
      Begins oil paintings for the series on the military comfort women, A Memory of the Sea.
    • 1987
      The play Umi nari hana yose [Roaring of the sea, a gathering of flowers] directed by Satō Makoto, based on the series Memories of the Sea, performed by 68/71 Black Tent Theatre (Gekidan 68/71 Kuro Tento) on the grounds of Tsukiji Hongan-ji temple in Tokyo in May. Two months later the documentary film Umi nari hana yose Showa Nihon: natsu [Roaring of the sea, a gathering of flowers: Summer, Showa Japan] (Gentōsha) directed by Aoike Kenji was completed.
    • 1988
      Exhibits Tomiyama Taeko’s Work and shows the slide work produced by Hidane Kōbō A Memory of the Sea in London and Berlin.
      Serves as Chairperson of the Sixth JAALA (Japan Asia Africa Latin-American Artist Association),Daisan sekai to wareware ten [The Third World and us—a new wave in Asia] (July) at the Tokyo Metropolitan Art Museum.
      冨山妙子TOMIYAMA TAEKO
    • 1989
      Special exhibition Umi nari hana yose by Tomiyama Taeko and Black Tent held at the 15th Hito Hito Ten.
      Special exhibition Commemorating the 50th anniversary of World War II in Asia—Tomiyama Taeko in Berlin (May) and Osaka (August).
      Special exhibition Tomoshibi ni yoru Tomiyama Taeko sakuhin ten [By the light of lanterns: an exhibition of Tomiyama Taeko’s works] at the Maruki Gallery For The Hiroshima Panels.
      Publishes Sensō sekinin o uttaeru hitori tabi [An appeal to acknowledge war responsibility: a solitary journey to London, Berlin and New York].
      冨山妙子TOMIYAMA TAEKO
    • 1990
      Organizes a group called afa (asia feminist art) with like-minded women to hold afa festivals. Tomiyama was actively engaged in the group till 1993.
    • 1991
      Produces paintings and prints on the theme of Thai women migrant workers in Japan in the series, Let’s Go to Japan! The Thai Girl Who Never Came Home, in collaboration with Jarassri Roopkumdee. Two-person exhibition in Bangkok.
    • 1992
      Publishes Kaeranu onnatachi —Jūgun ianfu to Nihon bunka [Women who never came home-Military comfort women and Japanese culture] (Iwanami Booklet, Iwanami Shoten).
      Exhibits Eros —My Pain: Works by Tomiyama Taeko at the Tama City Feminist Festival. Produces the Hidane Kōbō slide work The Thai Girl Who Never Came Home.
      冨山妙子TOMIYAMA TAEKO
    • 1993
      Exhibits The Thai Girl Who Never Came Home: An Asian Viewpoint at the Japan Foundation Asia Cultural Center in Tokyo with Jarassri Roopkumdee.
      Establishes Asian Women and Art Collective (AWAC) with a group concerned with intersections between art, feminism and war responsibility and holds a series of seminars “Feminizumu no shisō no sōzō no tame ni” (Toward the creation of feminist thought).
      AWAC publishes the magazine VISIONS. Publication ends with the bilingual issue, VISIONS: International (no.5).
    • 1994
      Shows work at the Azabu Museum of Arts and Crafts in the exhibition Josei to Āto. Feminizumu no Chihei ni Mukete [Women and art. Toward the horizon of feminism].
      Visits Harbin for the first time in nearly 50 years.
      Produces the series Harbin Station: Requiem for the 20h Century, which includes the sub-series of collages, Harbin Station: The Chronicles, serigraphs, Karayuki, Black River, Heaven and Earth, and In the Skies of Eurasia, and oil paintings mounted on scrolls including Sensō, Genshi/War and Illusion.
      Publishes Bijutsushi wo tokihanatsu [Setting free art history] from Jiji Press Ltd., co-authored with Hamada Kazuko and Hagiwara Hiroko.
    • 1995
      Exhibits Tomiyama Taeko’s Work, On the 50th Anniversary of the War: Requiem for the 20th Century: Harbin Station at the Tama Art University Museum (Tokyo, April) and Dong A-Gallery (Seoul, August).
      Publishes silenced by history: Tomiyama Taeko`s work (Gendaikikakushitsu).
      Produces the slide work Harbin: Requiem for the 20th Century (Hidane Kōbō).
      Invited to exhibit in the Special Exhibition, The Spirit of Kwangju Resistance in May at the 1st Kwangju Biennale, in South Korea.
      冨山妙子TOMIYAMA TAEKO
    • 1997
      Solo exhibition Requiem for the Military Comfort Women: Works by Tomiyama Taeko at Liberty Osaka (the Osaka Human Rights Museum).
    • 1998
      Holds two-artist exhibition From the Asians: Tomiyama Taeko and Hong Sung-dam at the Mangwoldong Gallery (Gwangju, May), at the Puchon City Hall (November), and at the Kawasaki Education Center (Kanagawa, December).
    • 2000
      Invited to exhibit an installation of Prayer in Memory and the series The Fox Story in the Special Exhibition “Art and Human Rights”at the 3rd Kwangju Biennale.
      Exhibits The Fox and the Mines: Artists Look at Myth and Reality in Contemporary Japan in collaboration with poets, photographers and musicians at the Life Style Design Center, Carrot Tower, Setagaya, Tokyo.
      Publishes Girishia Shinwa [Greek myths], text by Ishii Momoko, illustrations by Tomiyama Taeko.
    • 2001
      Holds event to commemorate the 25th anniversary of Hidane Kōbō and presents a plan for the work that will later will become Hiruko and the Puppeteers: A Tale of Sea Wanderers.
      Shows The Fox Story (Hidane Kōbō).
      Exhibits The Fox and the Coal Mines at ACROS Fukuoka.
      Exhibits Tomiyama Taeko — Let’s Go To Japan at Truscon Garden in Seikei University, Tokyo.
    • 2002
      Exhibits The Shaman and the Fox: Tomiyama Takeo’s Art at Gallery Fleur, Kyoto Seika University.
      80 works from the series, Kwangju, enter the collection of the Ha Jung-woong Museum of Art (Kwangju).
    • 2004
      Publishes Kero Kero Kororo (Fukuinkan Shoten, Tokyo) with text and music by Takahashi Yuji.
      Exhibits collages and prints in Remembrance and Reconciliation: Tomiyama Taeko’s Art at Ruhr University (Bochum, Germany), the International House and Temple University (Philadelphia) and the Dittmar Gallery, Northwestern University (Evanston) (until Feb, 2006).
    • 2005
      Invited to the 9th Women’s Worlds Conference at Ewha Womans University in Seoul to show slide works produced by Hidane Kōbō and lecture.
      Exhibits Tomiyama Taeko, Takahashi Yuji: e to ongaku to gentō no hiroba [Tomiyama Taeko and Takahashi Yuji. A space for painting, music and magic lanterns] at the Korai (Korea) Museum (Tokyo).
      Exhibits work in Zen’ei no josei 1950-1975/Japanese Women Artists in Avant-garde Movements, 1950-1975, Tochigi Prefectural Museum of Art.
      Exhibits Tomiyama Taeko: Requiem for the 20th Century memories and collages at the Japan Education Hall, Hitotsubashi Gallery (Tokyo).
      Gives “The Third Chino Kaori Memorial ‘New Visions’ Lecture” in Tokyo.
    • 2006
      Publishes 20 seiki e no requiem: e to ongaku ga de atte jidai no koe o tsugeru/Requiem for the 20th Century: Paintings and Music Come Together to Tell the Tale of an Era. Medieval Japanese Studies Institute, Kyoto.
    • 2007
      Reunites with Park In-kyung, wife of the late Lee Ungno at the opening ceremony of the Musée LEEUNGNO (Korea, Photo by Mika Furukawa).
      冨山妙子TOMIYAMA TAEKO
    • 2008
      Exhibits artwork at Art de hyōgensuru YASUKUNI [Expressing YASUKUNI through art] at the Japan Education Center Hall, Hitotsubashi Gallery (Tokyo).
    • 2009
      Publishes Ajia o idaku: gaka jinsei kioku to yume [Embracing Asia: An artist’s life. memories and dreams] (Iwanami Shoten, Tokyo).
      Exhibits Black River from the Harbin Series in Kinkyū ōto akushon 2009 [Emergency art action 2009], Gallery Maki (Tokyo).
      Publishes Hiruko and the Puppeteers: A Tale of Sea Wanderers (with DVD, Gendaikikakushitsu, Tokyo).
      Exhibits early oil paintings in The Coal Mines as Cultural Resource: Art/Photography/Graphic Arts/Film and Japanese Coal Mines, Meguro Museum of Art.
    • 2010
      Exhibits Ajia o mitsumete. Shokuminchi toTomyama Taeko no gaka jinsei [Tomiyama Taeko: an artist looking back at colonialism], Tokyo YWCA.
      Imagination Without Borders—Feminist Artist Tomiyama Taeko and Social Responsibility published by Center for Japanese Studies, University of Michigan .
      Kwangju (Gwangju) series exhibited at the 2010 Special Symposium “Resistance and Peace” to commemorate the 30th anniversary of the Gwangju Uprising, cosponsored by the May 18 Institute, Chonnam National University and the Peace Studies Association of Japan.
    • 2011
      Begins working on the series Revelation from the Sea.
      Gives five public interviews in the series “Onna tachi no kioku e no tabi” [A journey through women’s memories], sponsored by VAWWRAC (until 2012).
    • 2012
      Exhibits 3.11 Tomiyama Taeko no e ni yoru messēji [3.11 Tomiyama Taeko’s message through art] at the symposium Saigai fukkō kyoten to shite no josei sentā [Women’s centers as a space for disaster relief] at the Employment Support Center for Women (Tokyo).
      Exhibits artwork and participates in Korean Diaspora no kioku o taguru: `gisei no
      jōkyō’ o koete
      [Retrieving memories of the Korean diaspora -beyond the “situation of sacrifice”] – at an international symposium at the Institute of Industrial Science, the University of Tokyo (March 3).
      ExhibitsTomiyama Taeko’s Works: Exhibition and Lecture-Earthquake, War, Woman held at the Raiosha Gallery, Keio Research Center for the Liberal Arts.
      Exhibits Tomiyama Taeko no messēji ten—3.11 o mitsumete [Message from Tomiyama Taeko: Looking at 3.11] at Hachimanyama no Yokan, Hiratsuka, Kanagawa.
    • 2013
      Exhibits Tomiyama Taeko: Gendai e no mokuji —9.11 to 3.11 [Tomiyama Taeko: Revelation for the modern era—3.11-9.11], Tokyo Art Museum, Chofu.
      Publishes < Otoko Bunka > yo, saraba —shokuminchi, sensō, genpatsu o kataru [Farewell to ‘male culture’—Talking about colonialism, war and nuclear power], co-authored with Shin Sugok (Iwanami Booklet, Iwanami Shoten, Tokyo).
      Exhibits < Otoko Bunka > yo, saraba —Shin Sugok and Tomiyama Taeko [Farewell to ‘male culture’—Shin Sugok and Tomiyama Taeko] at the Korean YMCA in Japan, Tokyo.
    • 2014
      Produces DVD work Umi kara no mokuji/Revelation from the Sea (Hidane Kōbō).
      Gives lecture “Ātisuto Tomiyama Taeko ga kataru—watashi no sensō, sengo, soshite Fukushima” [“The artist, Tomiyama Taeko speaks: my war, post war, and Fukushima”] , Miyazaki Municipal University, Miyazaki.
    • 2015
      Exhibits works in the group show Verbotene Bilder: Kontrolle und Zensur in den Demokratien Ostasiens/Banned Images: Control and Censorship in East Asian Democracies, nGbK, Berlin.
    • 2016
      Exhibits Special exhibition: Tomiyama Taeko. Owari no hajimari, hajimari no owari [Special exhibition: Tomiyama Taeko. Beginning of the end, end of the beginning], Maruki Gallery for the Hiroshima Panels, Saitama.
    • 2017
      Exhibits works in Truth: Promise for Peace, a group show held at The National Women’s History Exhibition Hall, Seoul, South Korea.
    • 2019
      Exhibits Tomiyama Taeko sakuhin sekai 1980-2014: Owari no hajimari, hajimari no owari II [Tomiyama Taeko’s works: Beginning of the end, end of the beginning, part II], Fujino Club, Sagamihara, Kanagawa.
    • 2020
      Invited to exhibit work in Unflattening, marking the 70th anniversary of the Korean War at the National Museum of Modern and Contemporary Art (MMCA), Seoul.
    • 2021
      Exhibits work in Nihon Indépendent ten to josei sakkatachi [The Japan Indépendent Exhibition and female artists] (March) , National Art Center, Tokyo.
      Exhibits To Turbulent Seas of Memory —The World of Tomiyama Taeko (March – August), Yonsei University Museum, Seoul.
      Speaks (online) at the opening ceremony for the exhibition To Turbulent Seas of Memory — The World of Tomiyama Taeko, Yonsei University Museum, Seoul.
      Receives Medal of Honor from the South Korean Government for her contribution to the Korean Democracy movement (June).
      Passes away in her home and studio in Tokyo at the age of 99 (August 18).
      冨山 妙TOMIYAMA TAEKO子 tomiyama taeko
      冨山 妙TOMIYAMA TAEKO子 tomiyama taeko 大韓民国国民褒章」を授与
      冨山 妙TOMIYAMA TAEKO子 tomiyama taeko

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